ENGS32
Print Cultures: The Poetics of Printing
Subject code
ENG
Course Number
S32
Department(s)
Course Long Title
Print Cultures: The Poetics of Printing
Description
An introduction to the study of print cultures and the history of the book by closely examining one type of printed text, poetry. Students consider how the invention of the Gutenberg press and developments in printing practices began to influence poets, before tracing the relationship between print technologies and poetic practices up through the present day. The class read widely, studying: Tottel's Miscellany (the first printed anthology of English poetry), George Herbert's image poetry (1633), William Blake's illuminated Songs of Innocence and Experience (1789), and the 20th- and 21st- century concrete- and pattern-poetry movements, including poetry by Augusto de Campos, Guillaume Apollinaire, e e cummings, Mary Ellen Solt, Marilyn Nelson, Tyehimba Jess, and Jen Bervin. Students also compose their own poetry and experiment with type-setting/printing on a hand press.
Modes of Inquiry
Analysis and Critique [AC], Creative Process and Production [CP]
Writing Credit
No writing designation
Class Restriction
Exclude First Years
Offering Frequency
Offered with varying frequency
Recommended Background
Study in Creative Writing and/or pre-1800 literary courses highly recommended.