Producing Culture: Arts and Audience (C061)
GEC Coordinator: Trian Nguyen
Composers, choreographers, directors, curators, and producers often interact with performing artists, studio artists, and writers in order to engage audiences. What is produced, for whom, and in support of which values? Work in this concentration considers the interrelationship between cultural producers and cultural consumers.
Complete any four credits designated with the (C061) GEC attribute from at least two departments/programs. One non-Bates credit may be applied toward the concentration if judged comparable to one of those below by the concentration coordinator and with prior approval.
Active course offerings include:
| Code | Title |
|---|---|
| AFR 119 | Cultural Politics |
| AFR 162 | White Redemption: Cinema and the Co-optation of African American History |
| AFR 249 | African American Popular Music |
| AFR 252 | Contemporary Issues in Dance |
| AMST 119 | Cultural Politics |
| ASIA 229 | Modern Vietnamese Culture through Film |
| ASIA 246 | Visual Narratives: Storytelling in East Asian Art |
| ASIA 247 | The Art of Zen Buddhism |
| AVC 209 | Introduction to Video Production |
| AVC 229 | Modern Vietnamese Culture through Film |
| AVC 246 | Visual Narratives: Storytelling in East Asian Art |
| AVC 247 | The Art of Zen Buddhism |
| AVC 361 | Museum Internship |
| DANC 250 | Dance Histories of the United States |
| DANC 252 | Contemporary Issues in Dance |
| DANC 300 | Bates Dance Festival |
| HIST 253 | Dance Histories of the United States |
| MUS S25 | Performing Musical Art of Indonesia |
| MUS 103 | Music in World Cultures |
| MUS 247 | History of Jazz |
| MUS 249 | African American Popular Music |
| RFSS 162 | White Redemption: Cinema and the Co-optation of African American History |
| THEA 231 | Scene Design |
| THEA 233 | Costume Design |