GEC Coordinator: Elke Morris

This concentration is a study of documentation and representation, including consideration of persuasive strategies often employed in representations—and misrepresentations. Emphasis is on the use of images as points of inquiry, including photographs, film, broadcasts, documents, and printed matter, as well as speech and artifacts.

Complete four courses designated with the (C017) GEC attribute, with no more than three from any one department/program. One non-Bates credit may be applied toward the concentration with prior approval by the concentration coordinator.

Active course offerings include:

Course List (Per Attribute)

Code	Title
AMST 276	True or False: Documentary Photography
AVC S15	Photographing the Landscape
AVC 209	Introduction to Video Production
AVC 219	Photography: The Digital Image
AVC 220	The Digital Composite: A Creative Process
AVC 276	True or False: Documentary Photography
AVC 318	Photography: Perception and Expression
AVC 361	Museum Internship
ENVR S15	Photographing the Landscape
EUS S26	The Split Screen: Reconstructing National Identities in West and East German Cinema
EUS 233	Russian Myths and Legends
EUS 262	Rebels, Radicals, and Realists: Social Change in German Cinema
FRE 379	Documenting the Genocide of the Tutsi in Rwanda
GER S26	The Split Screen: Reconstructing National Identities in West and East German Cinema
GER 262	Rebels, Radicals, and Realists: Social Change in German Cinema
GER 358	Literature and Film of the German Democratic Republic
PSYC 317	Psychology and Law
RFSS S18	Under the Influence: Alcohol Use, Addiction, Television and Community
RFSS 120	Introduction to Screen Studies
RFSS 219	Race, Gender, and International Cinema
RFSS 220	Constructions of Italian American Men and Masculinities
RFSS 240	Film Theory
RFSS 257	Rhetorical Criticism
RFSS 276	Television Criticism
RFSS 391A	The Rhetoric of Alien Abduction
RFSS 391B	Presidential Campaign Rhetoric
RFSS 391F	Bollywood
RUSS 233	Russian Myths and Legends